Lisa Stansfield Interview Youtube Job
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- Lisa stansfield interview youtube job interview
You could have compromised and had a regular karaoke night in the Rovers. Yeah, every week! That's not a bad idea, actually. image copyright EarMusic image caption Stansfield records her albums in her Rochdale-based studio, Gracieland, which is named after Grace Fields. Your first hit was on Coldcut's People Hold On. Have any of the current dance acts - like Calvin Harris or Rudimental - approached you about working with them? No, but I wish they would. That would be gorgeous. God, I'd love to work with people like that. And you worked with Bond composer John Barry on the Indecent Proposal soundtrack - was there talk of doing a Bond theme? Well, that song we did was very Bond-y - but nobody has ever approached me about doing the real thing. So the campaign starts here: Rudimental and Lisa Stansfield to make the next Bond theme. Lovely, lovely! Do you think they're going to kill off Daniel Craig so Idris Elba can play him next? That would be so cool... Lisa Stansfield's album, Deeper, is out now.
Lisa stansfield interview youtube job questions
Could you stand Paul Hollywood criticising your shortcake? Oh that doesn't bother me. But when you do things at home it's different, isn't it? I'd probably produce just a load of mush on the plate. Figure caption Warning: Third party content may contain adverts I read in an old Smash Hits interview that you once filled your wellington boots up with mud and stood in them for a dare. True? Yeah, my sister made me do that. She was always doing things like that and, because I loved her so much, I did all these stupid things for her approval. Then, when we got back home, she'd say, "Mum, look what Lisa has done, " and I'd be the one who got in trouble. Does she still play pranks? Actually, we had a real laugh on my second tour. We look really similar, so Karen would dress as me and she'd have her hair cut with a curl - you know, the way my hair used to be? And some nights, she'd stand at the top of the stage, miming. Then I'd walk up the back stairs, give her a kiss and she'd take off. leaving me on the stage to start singing.
I came into the studio, and Ian was messing around at the piano. He had a melody, and I just started singing: "Been around the world and I, I, I…" Everyone laughed but Ian said, "Wait, it's really good, that. " It just came into my head – it was nonsense, but had a really good feel to it. "I, I, I" became the main hook. We'd no idea how massive it would become. I was the first white British woman to reach No 1 on the R&B chart – the American black music chart. I remember sitting in a hotel room reading all the different charts around the world and just going: "Fucking hell! " All Around the World was top of most. Over the years, a lot of people have told me the song helped them through a difficult period. That's beautiful, to know you've helped someone in that way. The song literally took us around the world, four times. I suppose you have to be careful what you sing, because you might have to do it. Ian Devaney, songwriter, producer Blue Zone was signed to an indie label, then Arista bought the label, so we ended up on a major by accident.
The album version of his single Let the Music Play has a spoken intro that goes on for about a minute and a half. So on All Around the World, we did a shorter spoken intro as an unashamed pastiche or tribute. We were nervous about what he might say about it, but he was very sweet. We met him several times, and Lisa and Barry really got on and rerecorded it as a duet. The lyrics – about searching the world for an estranged lover – aren't from personal experience. Lisa tends to make up stories and she's good at putting herself in someone else's shoes. If you write down "been around the world and I, I, I, I can't find my baby" it sounds nonsensical, but there's obviously something that connects emotionally. It leapt out to other people far more than it did to us. For us, it was one song in a group of five that we thought were good. But as soon as our manager, Jazz Summers, heard it, he went: "That's it! " Lisa Stansfield tours the UK from 21 October until 1 November.
She plays Proms In The Park on Saturday, 8 September. Highlights will be broadcast on BBC Two and BBC Radio 3. Follow us on Facebook, on Twitter @BBCNewsEnts, or on Instagram at bbcnewsents. If you have a story suggestion email. The BBC is not responsible for the content of external sites.
Lisa stansfield interview youtube job simulator
We thought we were going to ruin everything. But so far it's going alright. In the past, you've written more about other people's lives than yourself. Yeah I'm an observer. I've got a good imagination, so I can see someone arguing over a parking ticket and imagine they're getting a divorce or something. Is it true your backing singer, Andrea Grant, is in the Strictly Come Dancing band? Yeah! She's been doing Strictly for a long time now. So what happens if you're on tour while Strictly's on air? It's funny because Andrea and her best friend Lorraine dep[utise] for each other. They've been friends since school, so they know nobody's going to steal their place. Lorraine will be with us in Hyde Park. Have they tried to get you on the show? Oh no, I'd never do that! I'd sing on it but I'd never dance. You're an accomplished baker, so you could always do Bake Off instead. That might be nice, actually. I do really good banana bread. And I make a chocolate cake with fudge icing that's bloody delicious.
Lisa Stansfield, singer, songwriter I met my husband Ian [Devaney] in school when I was 14 and he was 15; we formed a band with Andy Morris, who played trumpet in the school band. We called ourselves Blue Zone and were like three little terriers, getting on the train to London and bugging record companies until someone took notice. Ian and Andy did the horns on Coldcut 's first album, and I sang a song with them called My Telephone. After hours we all went back in to the studio to see if we could come up with anything together, and the result was People Hold On, a massive hit. Because everyone said it would look clumsy with two bands' names on, it was released as "Coldcut featuring Lisa Stansfield". When we went back to our own music, they said, "Well everyone knows you as Lisa Stansfield now" and that was the end of Blue Zone. But I wanted my mates with me, even though it was my name on the record. That triangle of people was very strong. All Around the World was something we wrote together.
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Lisa stansfield interview youtube job interview
"So the only place you could go was the BBC canteen. But I used to like that, actually. You could spot all the EastEnders while you got your school dinners. " The star's back at TVC to promote her eighth album, the lithe and funky Deeper - co-written, as usual, with her husband Ian Devaney, who she met in a school play at the age of 14. One of the best-reviewed records of her career, it's also spawned a single, Never Ever, that charted in the Top 10 of the US club charts. Figure caption Warning: Third party content may contain adverts "I never expected this, " she exclaims. "I'm 52 years old and I'm still being welcomed into people's homes. "I just think if they still keep wanting me, then I'll stick around! " Ahead of her performance at Radio 3's Proms In The Park this weekend, the Rochdale-born singer sat down for a wide-ranging chat about Bond, banana bread and Bake Off. You're playing at Proms In The Park this weekend with one of your musical heroes, Gladys Knight. How does that feel?
We made a mainstream pop record and they needed a B-side, so we knocked out this song called Big Thing in an eight-track studio behind Lisa's mum and dad's house. It was more soul than pop, and got more attention than the rest of the record. The label asked if we had any other songs like that, so we played them All Around the World. Stansfield and Devaney in 1990. Photograph: The LIFE Picture Collection via Getty Images The song came together really quickly. Once Lisa had all the lyrics down and I'd done a basic track with Andy, the whole vocal was two takes: one lead vocal and one take for single harmony. She just went in and sang it. The vocals from that original eight-track recording are what's on the global hit. We put real strings on it at Strawberry Studios in Stockport, but otherwise it was all low-budget and DIY. It's hilarious, really. The song's hugely influenced by Barry White. He was ridiculed in the disco era [as "the walrus of love"], but we really respected him as a soul artist.
